Many times we go ‘wow’ , when we watch a well choreographed dance performance either in a music video or on stage. And we often wonder: ‘how did they dance so uniquely and uniformly?’ Well, that’s the work of the choreographer. The choreographer is one who creates and arranges dances and teaches dancers to perform a dance to the delight of an audience. He decides what the moves and steps will be and the dancers perform the steps. He or she also takes the ideas and opinions of the dancers, and blends them together to make a beautiful performance. Firstly, the choreographer directs rehearsals to teach dancers how to dance. These rehearsals are often intense and time consuming if dancers are going to master the steps to be able to present them uniformly. Secondly, he studies the dancers’ unique physical abilities and make up and brings into practice different steps and moves. Thirdly, he assesses each dancer’s ability and works with them to improve on their weaknesses. He also chooses the performance and the dancers. Furthermore, he selects the music and spoken narratives suitable to accompany the dance performance. He also chooses and designs the costumes, stage design and appropriate lighting with cast and crew members. Then finally. the choreographer directs the stage dance or performance.
1n 1928, Laban published his kinetographie . This and subsequent expositions of his system for recording dance have made possible the collection of a literature and materials for dance. The system is logical since it is based upon fundamental laws of human motor activity . It's functional since it has been used to record dance and non-dance movement in many styles including balle , gymnastics , exercises, time motion studies in industry , movements of spastic patients to medical records and national dance styles ranging from the subtle movements of the dances of India to the improvisations in America jazz dance . The actual notation signs are abstract in design differing in shape from Feulliet symbols . In principle, however, Laban avows in his book: Principles of Dance and Movement Notation (1956), that: " Our movement and dance notation makes use of the principles on which Beauchamp and Feulliet's choreography was built up some 300 years ago. The graphic principl...
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